Citation Practices between Commodity Culture and Cultural Critique. Reselling the Mainstream and Promoting Resistance through the Music of El Vez, the Mexican Elvis

Raussert W (2018)
In: Analogy, Copy, and Representation. Interdisciplinary perspectives. Haase C, Schröder A (Eds); Bielefelder Schriften zu Linguistik und Literaturwissenschaft, 29. Bielefeld: Aisthesis: 101-112.

Sammelwerksbeitrag | Veröffentlicht | Englisch
 
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Herausgeber*in
Haase, Christoph; Schröder, Anne
Erscheinungsjahr
2018
Buchtitel
Analogy, Copy, and Representation. Interdisciplinary perspectives
Band
29
Seite(n)
101-112
ISBN
978-3-8498-1269-0
Page URI
https://pub.uni-bielefeld.de/record/2948697

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Raussert W. Citation Practices between Commodity Culture and Cultural Critique. Reselling the Mainstream and Promoting Resistance through the Music of El Vez, the Mexican Elvis. In: Haase C, Schröder A, eds. Analogy, Copy, and Representation. Interdisciplinary perspectives. Bielefelder Schriften zu Linguistik und Literaturwissenschaft. Vol 29. Bielefeld: Aisthesis; 2018: 101-112.
Raussert, W. (2018). Citation Practices between Commodity Culture and Cultural Critique. Reselling the Mainstream and Promoting Resistance through the Music of El Vez, the Mexican Elvis. In C. Haase & A. Schröder (Eds.), Bielefelder Schriften zu Linguistik und Literaturwissenschaft: Vol. 29. Analogy, Copy, and Representation. Interdisciplinary perspectives (pp. 101-112). Bielefeld: Aisthesis.
Raussert, W. (2018). “Citation Practices between Commodity Culture and Cultural Critique. Reselling the Mainstream and Promoting Resistance through the Music of El Vez, the Mexican Elvis” in Analogy, Copy, and Representation. Interdisciplinary perspectives, Haase, C., and Schröder, A. eds. Bielefelder Schriften zu Linguistik und Literaturwissenschaft, vol. 29, (Bielefeld: Aisthesis), 101-112.
Raussert, W., 2018. Citation Practices between Commodity Culture and Cultural Critique. Reselling the Mainstream and Promoting Resistance through the Music of El Vez, the Mexican Elvis. In C. Haase & A. Schröder, eds. Analogy, Copy, and Representation. Interdisciplinary perspectives. Bielefelder Schriften zu Linguistik und Literaturwissenschaft. no.29 Bielefeld: Aisthesis, pp. 101-112.
W. Raussert, “Citation Practices between Commodity Culture and Cultural Critique. Reselling the Mainstream and Promoting Resistance through the Music of El Vez, the Mexican Elvis”, Analogy, Copy, and Representation. Interdisciplinary perspectives, C. Haase and A. Schröder, eds., Bielefelder Schriften zu Linguistik und Literaturwissenschaft, vol. 29, Bielefeld: Aisthesis, 2018, pp.101-112.
Raussert, W.: Citation Practices between Commodity Culture and Cultural Critique. Reselling the Mainstream and Promoting Resistance through the Music of El Vez, the Mexican Elvis. In: Haase, C. and Schröder, A. (eds.) Analogy, Copy, and Representation. Interdisciplinary perspectives. Bielefelder Schriften zu Linguistik und Literaturwissenschaft. 29, p. 101-112. Aisthesis, Bielefeld (2018).
Raussert, Wilfried. “Citation Practices between Commodity Culture and Cultural Critique. Reselling the Mainstream and Promoting Resistance through the Music of El Vez, the Mexican Elvis”. Analogy, Copy, and Representation. Interdisciplinary perspectives. Ed. Christoph Haase and Anne Schröder. Bielefeld: Aisthesis, 2018.Vol. 29. Bielefelder Schriften zu Linguistik und Literaturwissenschaft. 101-112.

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