PUB - Publikationen an der Universität Bielefeld

This paper deals with the sensory and culturally situated dimension of knowing, which I refer to as "aesthetics of knowledge", and focuses on knowing and knowledge in two fields of the modern and contemporary cultural sphere: science and religion. Since its emergence during the 19th century, science has been sharing many elements of the aesthetics of knowledge with modern Western religion. These are shaped by common heritage from the Romantic period and, while often dismissed as superficial borrowings, they contribute to construct scientific meaning. Based on existing literature, this paper endeavours to show how a focus on shared aesthetics of knowledge in science and religion can provide new insights in science, media and art studies by complementing other approaches.