Soulful Sancocho. Soul Music and Practices of Hemispheric Black Transnationalism in 1960s and 1970s Panama
Steinitz M (2022)
The Black Scholar 52(1): 15-26.
Zeitschriftenaufsatz
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Autor*in
Einrichtung
Erscheinungsjahr
2022
Zeitschriftentitel
The Black Scholar
Band
52
Ausgabe
1
Seite(n)
15-26
ISSN
0006-4246
eISSN
2162-5387
Page URI
https://pub.uni-bielefeld.de/record/2961930
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Steinitz M. Soulful Sancocho. Soul Music and Practices of Hemispheric Black Transnationalism in 1960s and 1970s Panama. The Black Scholar. 2022;52(1):15-26.
Steinitz, M. (2022). Soulful Sancocho. Soul Music and Practices of Hemispheric Black Transnationalism in 1960s and 1970s Panama. The Black Scholar, 52(1), 15-26. https://doi.org/10.1080/00064246.2022.2007344
Steinitz, Matti. 2022. “Soulful Sancocho. Soul Music and Practices of Hemispheric Black Transnationalism in 1960s and 1970s Panama”. The Black Scholar 52 (1): 15-26.
Steinitz, M. (2022). Soulful Sancocho. Soul Music and Practices of Hemispheric Black Transnationalism in 1960s and 1970s Panama. The Black Scholar 52, 15-26.
Steinitz, M., 2022. Soulful Sancocho. Soul Music and Practices of Hemispheric Black Transnationalism in 1960s and 1970s Panama. The Black Scholar, 52(1), p 15-26.
M. Steinitz, “Soulful Sancocho. Soul Music and Practices of Hemispheric Black Transnationalism in 1960s and 1970s Panama”, The Black Scholar, vol. 52, 2022, pp. 15-26.
Steinitz, M.: Soulful Sancocho. Soul Music and Practices of Hemispheric Black Transnationalism in 1960s and 1970s Panama. The Black Scholar. 52, 15-26 (2022).
Steinitz, Matti. “Soulful Sancocho. Soul Music and Practices of Hemispheric Black Transnationalism in 1960s and 1970s Panama”. The Black Scholar 52.1 (2022): 15-26.
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