“‘Sire,’ says the fox”: The Zoopoetics and Zoopolitics of the Fable in Kleist’s “On the Gradual Production of Thoughts whilst Speaking”

Schönbeck S (2018)
In: What Is Zoopoetics? Texts, Bodies, Entanglement. Driscoll K, Hoffmann E (Eds); Palgrave Studies in Animals and Literature. Cham: Palgrave Macmillan: 81-100.

Sammelwerksbeitrag | Veröffentlicht | Englisch
 
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Herausgeber*in
Driscoll, Kári; Hoffmann, Eva
Abstract / Bemerkung
This chapter is concerned with an animal fable included in Heinrich von Kleist’s 1805/1806 essay “On the Gradual Production of Thoughts whilst Speaking.” Departing from an understanding of zoopoetics as both an object of study and a method of research, I argue (1) that the fable is such an object of study and (2) that the fable demands a special kind of reading. It is crucial for a zoopoetic reading to replace the old understanding of fables—which says that fables are solely about humans and not about animals—with a consideration of multiple human-animal relations. When the animal fable included in Kleist’s essay is analyzed along those lines, it becomes obvious that the fox is paradigmatic, not only as a poetological figure, but also as a political figure.
Erscheinungsjahr
2018
Buchtitel
What Is Zoopoetics? Texts, Bodies, Entanglement
Serientitel
Palgrave Studies in Animals and Literature
Seite(n)
81-100
ISBN
978-3-319-64415-8
eISBN
978-3-319-64416-5
Page URI
https://pub.uni-bielefeld.de/record/2954580

Zitieren

Schönbeck S. “‘Sire,’ says the fox”: The Zoopoetics and Zoopolitics of the Fable in Kleist’s “On the Gradual Production of Thoughts whilst Speaking”. In: Driscoll K, Hoffmann E, eds. What Is Zoopoetics? Texts, Bodies, Entanglement. Palgrave Studies in Animals and Literature. Cham: Palgrave Macmillan; 2018: 81-100.
Schönbeck, S. (2018). “‘Sire,’ says the fox”: The Zoopoetics and Zoopolitics of the Fable in Kleist’s “On the Gradual Production of Thoughts whilst Speaking”. In K. Driscoll & E. Hoffmann (Eds.), Palgrave Studies in Animals and Literature. What Is Zoopoetics? Texts, Bodies, Entanglement (pp. 81-100). Cham: Palgrave Macmillan. https://doi.org/10.1007/978-3-319-64416-5_6
Schönbeck, Sebastian. 2018. ““‘Sire,’ says the fox”: The Zoopoetics and Zoopolitics of the Fable in Kleist’s “On the Gradual Production of Thoughts whilst Speaking””. In What Is Zoopoetics? Texts, Bodies, Entanglement, ed. Kári Driscoll and Eva Hoffmann, 81-100. Palgrave Studies in Animals and Literature. Cham: Palgrave Macmillan.
Schönbeck, S. (2018). ““‘Sire,’ says the fox”: The Zoopoetics and Zoopolitics of the Fable in Kleist’s “On the Gradual Production of Thoughts whilst Speaking”” in What Is Zoopoetics? Texts, Bodies, Entanglement, Driscoll, K., and Hoffmann, E. eds. Palgrave Studies in Animals and Literature (Cham: Palgrave Macmillan), 81-100.
Schönbeck, S., 2018. “‘Sire,’ says the fox”: The Zoopoetics and Zoopolitics of the Fable in Kleist’s “On the Gradual Production of Thoughts whilst Speaking”. In K. Driscoll & E. Hoffmann, eds. What Is Zoopoetics? Texts, Bodies, Entanglement. Palgrave Studies in Animals and Literature. Cham: Palgrave Macmillan, pp. 81-100.
S. Schönbeck, ““‘Sire,’ says the fox”: The Zoopoetics and Zoopolitics of the Fable in Kleist’s “On the Gradual Production of Thoughts whilst Speaking””, What Is Zoopoetics? Texts, Bodies, Entanglement, K. Driscoll and E. Hoffmann, eds., Palgrave Studies in Animals and Literature, Cham: Palgrave Macmillan, 2018, pp.81-100.
Schönbeck, S.: “‘Sire,’ says the fox”: The Zoopoetics and Zoopolitics of the Fable in Kleist’s “On the Gradual Production of Thoughts whilst Speaking”. In: Driscoll, K. and Hoffmann, E. (eds.) What Is Zoopoetics? Texts, Bodies, Entanglement. Palgrave Studies in Animals and Literature. p. 81-100. Palgrave Macmillan, Cham (2018).
Schönbeck, Sebastian. ““‘Sire,’ says the fox”: The Zoopoetics and Zoopolitics of the Fable in Kleist’s “On the Gradual Production of Thoughts whilst Speaking””. What Is Zoopoetics? Texts, Bodies, Entanglement. Ed. Kári Driscoll and Eva Hoffmann. Cham: Palgrave Macmillan, 2018. Palgrave Studies in Animals and Literature. 81-100.

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