Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music
Herbst J (2017)
Metal Music Studies 3(1): 23-46.
Zeitschriftenaufsatz
| Veröffentlicht | Deutsch
Download
Es wurden keine Dateien hochgeladen. Nur Publikationsnachweis!
Autor*in
Einrichtung
Erscheinungsjahr
2017
Zeitschriftentitel
Metal Music Studies
Band
3
Ausgabe
1
Seite(n)
23-46
Page URI
https://pub.uni-bielefeld.de/record/2911609
Zitieren
Herbst J. Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies. 2017;3(1):23-46.
Herbst, J. (2017). Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3(1), 23-46. https://doi.org/10.1286/mms.3.1.23_1
Herbst, Jan. 2017. “Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music”. Metal Music Studies 3 (1): 23-46.
Herbst, J. (2017). Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies 3, 23-46.
Herbst, J., 2017. Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3(1), p 23-46.
J. Herbst, “Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music”, Metal Music Studies, vol. 3, 2017, pp. 23-46.
Herbst, J.: Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies. 3, 23-46 (2017).
Herbst, Jan. “Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music”. Metal Music Studies 3.1 (2017): 23-46.
Google Scholar