Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos
Herbst J (In Press)
Metal Music Studies 3(2).
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Autor*in
Einrichtung
Erscheinungsjahr
2017
Zeitschriftentitel
Metal Music Studies
Band
3
Ausgabe
2
Page URI
https://pub.uni-bielefeld.de/record/2911607
Zitieren
Herbst J. Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies. In Press;3(2).
Herbst, J. (In Press). Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3(2)
Herbst, Jan. In Press. “Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos”. Metal Music Studies 3 (2).
Herbst, J. (In Press). Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies 3.
Herbst, J., In Press. Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3(2).
J. Herbst, “Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos”, Metal Music Studies, vol. 3, In Press.
Herbst, J.: Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies. 3, (In Press).
Herbst, Jan. “Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos”. Metal Music Studies 3.2 (In Press).
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