Wilfried Raussert

wilfried.raussert@uni-bielefeld.de
PEVZ-ID
188815

106 Publikationen

Alle markieren

  • [106]
    2023 | Monographie | Veröffentlicht | PUB-ID: 2984835
    Raussert, W., 2023. Into the chalice of your thoughts, De tus pensamientos, el cáliz, Guadalajara: Editorial Universidad de Guadalajara.
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  • [105]
    2023 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2984582
    Raussert, W., 2023. Mental Illness as Cultural Narrative: Dementia, Im/migrant Experience and InterAmerican Entanglements in David Chariandy’s Soucouyant. JTAS Special Forum (Fall 2023) "Diagnosing Migrant Experience: Medical Humanities and Transnational American Studies", 14(2), p 91-114.
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  • [104]
    2023 | Herausgeber*in Sammelwerk | Veröffentlicht | PUB-ID: 2981509
    W. Raussert, ed., 2023. fiar forum for inter-american research. Volume 1-6 Premium Print Edition, Bielefeld: Kipu-Verlag.
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  • [103]
    2023 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2969232
    Raussert, W., 2023. Mobilizing the Grid. Collaborative Creativity in Public Space, and Radical Artistic Flows from South to North. From “Sandinista” to “Zapatista” to “Occupy Wall Street". Oltreoceano : rivista sulle migrazioni, 21, p 79-93.
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  • [102]
    2022 | Herausgeber*in Sammelwerk | Veröffentlicht | PUB-ID: 2965618
    W. Raussert & M. Steinitz, eds., 2022. Black Power in Hemispheric Perspective: Movements and Cultures of Resistance in the Black Americas, Inter-American Studies / Estudios Interamericanos, no.25, 1st ed., Trier, New Orleans: WVT, University of New Orleans.
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  • [101]
    2022 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2965619
    Raussert, W., & Steinitz, M., 2022. Introduction: Black Power in Hemispheric Perspective. In W. Raussert & M. Steinitz, eds. Black Power in Hemispheric Perspective: Movements and Cultures of Resistance in the Black Americas. Inter-American Studies / Estudios Interamericanos. no.25 1st ed. Trier, New Orleans: WVT, University of New Orleans , pp. 1-32.
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  • [100]
    2022 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2966493
    Raussert, W., 2022. Exposing the body, Exploring 'homo respondens', and Rethinking Human-Nature Relations as Matrix for New Social Visions: When Short Film Meets Happening in the Works by Carolee Schneemann and Yoko Ono. El Ojo que piensa, 23(1), p 1-21.
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  • [99]
    2022 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2965620
    Raussert, W., 2022. Before ‘Black Power’ there was Black Power: Garveyism and Public Performance Culture in the American Hemisphere. In W. Raussert & M. Steinitz, eds. Black power in hemispheric perspective : Movements and cultures of resistance in the black Americas. Inter-American Studies / Estudios Interamericanos. no.25 1st ed. Trier, New Orleans: WVT, University of New Orleans, pp. 35-59.
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  • [98]
    2021 | Monographie | Veröffentlicht | PUB-ID: 2954885
    Raussert, W., 2021. Off the Grid. Art practices and public space, Inter-American Studies/Estudios Interamericanos, no.35, Trier ; New Orleans: WVT ; Univ. of New Orleans Press.
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  • [97]
    2021 | Monographie | Veröffentlicht | PUB-ID: 2955159
    Raussert, W., 2021. 'What's Going On': How Music Shapes the Social, Inter-American Studies/Estudios Interamericanos, no.26, Trier ; New Orleans: WVT ; UNO.
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  • [96]
    2021 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2960569
    Raussert, W., 2021. We-the audience with me-are breaking bread together: Black Canadian Dub poets’ call-and-response practices and (re)creating home in the diaspora. FIAR: Forum for Inter-American Research , 14(2), p 39-50.
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  • [95]
    2021 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2960567
    Raussert, W., & Brandel, M., 2021. Rethinking Home in the Caribbean Diaspora and the Americas: Introduction. FIAR: Forum for Inter-American Research , 14(2), p 5-8.
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  • [94]
    2021 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2954879
    Raussert, W., 2021. Introduction. In W. Raussert & O. Kaltmeier, eds. InterAmerican Perspectives in the 21st Century: Festschrift in Honor of Josef Raab. Inter-American Studies/Estudios Interamericanos. no.23 Trier ; New Orleans: WVT ; UNO, pp. 1-9.
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  • [93]
    2021 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2954880
    Raussert, W., 2021. Sonic America(s): Politics of Recognition and Recent Trends in Music Documentary. In W. Raussert & O. Kaltmeier, eds. InterAmerican Perspectives in the 21st Century: Festschrift in Honor of Josef Raab. Inte-American Studies/Estudios Interamericanos. no.23 Trier ; New Orleans: WVT ; UNO, pp. 205-223.
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  • [92]
    2021 | Herausgeber*in Sammelwerk | Veröffentlicht | PUB-ID: 2954878
    W. Raussert & O. Kaltmeier, eds., 2021. InterAmerican Perspectives in the 21st Century: Festschrift in Honor of Josef Raab, Inter-American Studies/Estudio Interamericanos, no.23, Trier ; New Orleans: WVT ; UNO.
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  • [91]
    2021 | Herausgeber*in Sammelwerk | Veröffentlicht | PUB-ID: 2952364
    O. Kaltmeier, et al., eds., 2021. Cherishing the Past, Envisioning the Future. Entangled Practices of Heritage and Utopia in the Americas, InterAmerican Studies/Estudios Interamericanos, no.24, Trier: WVT.
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  • [90]
    2021 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2951655
    Raussert, W., et al., 2021. Technologies and Social Change in the Americas: Introduction. FIAR: Forum for Inter-American Research, 14(1), p 1-4.
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  • [89]
    2021 | Sonderausgabe Zeitschrift | Veröffentlicht | PUB-ID: 2951759
    W. Raussert, et al., eds., 2021. Technologies and Social Change in the Americas. FIAR: Forum for Inter-American Research, 14(1).
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  • [88]
    2021 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2951654
    Raussert, W., 2021. Creativity as Collaborative Endeavor with Social Vision: Postmodern Dance, the Creative Body, and Electronically Networked Performance Spaces in the 1960s. FIAR: Forum for Inter-American Research , 14(1), p 63-71.
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  • [87]
    2020 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2943611
    Raussert, W., 2020. „‚Black Dada Nihilismus‘ – schwarze Angst, schwarzer Zorn“. Amiri Barakas Radikalisierung des poetischen Ausdrucks in der „Black Avantgarde“ der 1960er . In B. Frank-Job & J. Michael, eds. Angstsprachen. Interdisziplinäre Zugänge zur kommunikativen Auseinandersetzung mit Angst. Wiesbaden: Springer VS, pp. 277-292.
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  • [86]
    2020 | Monographie | Veröffentlicht | PUB-ID: 2943634 OA
    Raussert, W., 2020. ¿Hasta dónde llega la calle? Prácticas artísticas y espacio público, Ensayos Interamericanos, no.10, 1st ed., Bielefeld: kipu-Verlag.
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  • [85]
    2020 | Monographie | Veröffentlicht | PUB-ID: 2946560
    Cooper, A., & Raussert, W., 2020. Black Matters, Halifax: Roseway Publishing.
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  • [84]
    2020 | Monographie | Veröffentlicht | PUB-ID: 2943007 OA
    Raussert, W., 2020. ¿Qué está pasando? : Cómo la música le da forma a lo social, Ensayos InterAmericanos, no.1, Bielefeld: kipu Verlag.
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  • [83]
    2020 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2948693
    Raussert, W., 2020. Chican@ Artistic Practice: Performing Community in Contested Public Space. Verbum et Lingua, 2020(16), p 8-21.
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  • [82]
    2020 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2948694
    Raussert, W., 2020. Culture Heritage and Politics of Reconciliation: Reinventing the Blues in the Narratives of The Delta Blues Museum and the B.B. King Museum. fiar forum for international research, 13(1), p 23-34.
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  • [81]
    2020 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2943048
    Raussert, W., & Anatol, G.L., 2020. Introduction – Literature and Music in the Americas. In W. Raussert, et al., eds. The Routledge Handbook to the Culture and Media of the Americas . 1st edition. London/New York: Routledge, pp. 17-22.
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  • [80]
    2020 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2943045
    Raussert, W., 2020. Muralism . In W. Raussert, et al., eds. The Routledge Handbook to the Culture and Media of the Americas. 1st Edition. London/New York: Routledge, pp. 402-413.
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  • [79]
    2020 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2943044
    Raussert, W., et al., 2020. Popular music flows . In W. Raussert, et al., eds. The Routledge Handbook to the Culture and Media of the Americas. 1st Edition. London/New York: Routledge, pp. 182-192.
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  • [78]
    2020 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2943043
    Raussert, W., Lantz, T., & Michael, J., 2020. Modernism and postmodernisms . In W. Raussert, et al., eds. The Routledge Handbook to the Culture and Media of the Americas . 1st Edition. London/New York: Routledge, pp. 156-169.
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  • [77]
    2020 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2943041
    Anatol, G.L., & Raussert, W., 2020. Introduction – Literature and Music in the Americas. In W. Raussert, et al., eds. The Routledge Handbook to the Culture and Media of the Americas. 1st Edition. London/New York: Routledge, pp. 17-22.
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  • [76]
    2020 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2943042
    Raussert, W., Anatol, G.L., & Michael, J., 2020. Slave Narratives. In W. Raussert, et al., eds. The Routledge Handbook to the Culture and Media of the Americas. 1st Edition. London/New York: Routledge, pp. 226-238.
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  • [75]
    2020 | Herausgeber*in Sammelwerk | Veröffentlicht | PUB-ID: 2943040
    W. Raussert, et al., eds., 2020. The Routledge Handbook to the Culture and Media of the Americas , 1st Edition., London/New York: Routledge.
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  • [74]
    2019 | Herausgeber*in Sammelwerk | Veröffentlicht | PUB-ID: 2940389
    O. Kaltmeier & W. Raussert, eds., 2019. Sonic Politics : Music and Social Movements in the Americas, InterAmerican Research: contact, communication, conflict, no.ASHSER-1426, London: Routedge.
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  • [73]
    2019 | Monographie | Veröffentlicht | PUB-ID: 2948704
    Raussert, W., & Gutiérrrez Cham, G., 2019. Crónicas Urbanas, Heriberto Daniel Camacho Fernández.
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  • [72]
    2019 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2940417
    Raussert, W., 2019. The Fandango Sin Fronteras movement and sonic migrations : Performing community across borders. In O. Kaltmeier & W. Raussert, eds. Sonic Politics. Music and Social Movements in the Americas. InterAmerican Research: contact, communication, conflict. no.ASHSER-1426 New York: Routledge.
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  • [71]
    2019 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2954469
    Kaltmeier, O., & Raussert, W., 2019. Introduction. Music and the narration of the social in the Americas from the 1960s to the present. In O. Kaltmeier & W. Raussert, eds. Sonic Politics. Music and Social Movements in the Americas. InterAmerican Research: Contact, Communication, Conflict. no.ASHSER-1426 Abingdon, Oxon ; New York, NY : Routledge : Routledge, pp. 1-18.
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  • [70]
    2019 | Sonderausgabe Zeitschrift | Veröffentlicht | PUB-ID: 2940399
    W. Raussert, ed., 2019. Music and Rights in the Americas. fiar. forum for inter-american research, 12(2).
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  • [69]
    2019 | Sonderausgabe Zeitschrift | Veröffentlicht | PUB-ID: 2917420
    W. Raussert, et al., eds., 2019. Doing and Undoing Comparisons in the Americas. fiar. forum for inter-american research, 11(2).
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  • [68]
    2019 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2934977
    Raussert, W., 2019. "We Wear the Mask": Modern 'Masks,' Reflexivity, and Practices of Comparing in the Harlem Renaissance. fiar. forum for inter-american research, 11(2).
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  • [67]
    2018 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2948697
    Raussert, W., 2018. Citation Practices between Commodity Culture and Cultural Critique. Reselling the Mainstream and Promoting Resistance through the Music of El Vez, the Mexican Elvis. In C. Haase & A. Schröder, eds. Analogy, Copy, and Representation. Interdisciplinary perspectives. Bielefelder Schriften zu Linguistik und Literaturwissenschaft. no.29 Bielefeld: Aisthesis, pp. 101-112.
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  • [66]
    2018 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2948702
    Raussert, W., 2018. Sounds of Freedom, Cosmopolitan Democracy, and Shifting Cultural Politics: From 'The Jazz Ambassador Tours' to 'The Rhythm Road'. In H. Bak, F. Mehring, & M. Roza, eds. Politics and Cultures of Liberation: Media, Memory, and Projections of Democracy. Radboud studies in humanities. no.7 Leiden ; Boston: Brill, pp. 192-210.
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  • [65]
    2018 | Monographie | Veröffentlicht | PUB-ID: 2918272
    González, S., Guevara González, Y., & Raussert, W., 2018. Mesas de diálogo alrededor de la música popular del Sotavento Veracruzano, México: El Recipiente.
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  • [64]
    2018 | Monographie | Veröffentlicht | PUB-ID: 2932600
    Raussert, W., & Datta, K., 2018. Urban Reflections. Photography and Poetry in Dialogue, Bielefeld: kipu Verlag.
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  • [63]
    2017 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2919400
    Raussert, W., 2017. Otra modernidad. Los murales de Diego Rivera en la Secretaría de Educación Pública. In S. Corona Berkin, ed. ¿La imagen educa? El recurso visual de la Secretaría de Educación Pública. Excelencia académica. Guadalajara, Jalisco: Universidad de Guadalajara.
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  • [62]
    2017 | Herausgeber*in Sammelwerk | Veröffentlicht | PUB-ID: 2913936
    W. Raussert, ed., 2017. The Routledge Companion to Inter-American Studies, Routledge Companions to Literature Series, London, New York: Routledge.
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  • [61]
    2017 | Monographie | Veröffentlicht | PUB-ID: 2914384
    Raussert, W., 2017. Diferentes conceptos de tiempo en diálogo: el blues, el jazz y la novela afroamericana, Guadalajara: Universidad de Guadalajara.
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  • [60]
    2017 | Monographie | Veröffentlicht | PUB-ID: 2913929
    Raussert, W., 2017. Art Begins in Streets-Art Lives in Streets: A Selective Wallk through the Streets of Art in the Americas, Bielefeld: KIPU.
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  • [59]
    2017 | Herausgeber*in Sammelwerk | PUB-ID: 2913937
    W. Raussert & M. Graham, eds., 2017. Mobile and Entangled America(s), InterAmerican Research: Contact, Communication, Conflict, London, New York: Routledge.
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  • [58]
    2016 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2948698
    Raussert, W., 2016. Sonic Migrations or Fandango Sin Fronteras. Transversal Flows and Community Networks between Mexico and the US . In M. Hartner & M. Schulte, eds. Migration in Context: Literature, Culture, and Language. Bielefelder Schriften zu Linguistik und Literaturwissenschaft. no.27 Bielefeld: Aisthesis, pp. 199-215.
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  • [57]
    2015 | Herausgeber*in Sammelwerk | Veröffentlicht | PUB-ID: 2913938
    W. Raussert, et al., eds., 2015. Key Tropes in Inter-American Studies: Perspectives from the forum for inter-american research (fiar), Inter-American Studies / Estudios Interamericanos - Cultures-Societies-History/Culturas-Sociedades-Historia, no.17, Trier; Tempe, AZ: WVT; Bilingual Press.
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  • [56]
    2015 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2914290
    Raussert, W., 2015. Narrating 'Entangled Americas': Edwidge Danticat's Brother I'm Dying as Transnational Memoir (2007). A.r.t.e.s area studies and diversity, , p 52-60.
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  • [55]
    2015 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2914289
    Raussert, W., 2015. Playing the Social, Dancing the Social, Singing the Social: From “Say It Loud (I ́m Black and I ́m Proud)“ to Fandango Sin Fronteras. Música oral del Sur: Revista Internacional: Españoles, indios, africanos y gitanos. El alcance global del fandango en música, canto y danza, 12, p 293-310.
    PUB | Download (ext.) | WoS
     
  • [54]
    2015 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2914287
    Raussert, W., 2015. Regreso a la lentitud o cómo narrar 'historias mínimas' en la América Postfordista. In A. Fernandez & N. Berthier, eds. La cultura de las Pantallas. El cine iberoamericano en el panorama audiovisual actual. Nuevo Texto Crítico . no.28 (51) Stanford, Calif.: Stanford Univ., pp. 219-231.
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  • [53]
    2015 | Herausgeber*in Sammelwerk | Veröffentlicht | PUB-ID: 2914051
    W. Raussert, Y. M. Campos García, & M. Ramos Godínez, eds., 2015. Cruzando fronteras en América/Crossing Boundaries in the Americas/Crossing Boundaries in the Americas, no.1, Guadalajara: Universidad de Guadalajara.
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  • [52]
    2015 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2914291
    Raussert, W., 2015. Selected Key Tropes in Inter-American Studies: Ways of Looking at Entangled Americas. In W. Raussert, et al., eds. Key Tropes in Inter-American Studies. Interamerican Studies / Estudios Interamericanos. no.17 Trier / Tempe, AZ: WVT / Bilingual Press, pp. 4-15.
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  • [51]
    2015 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2914288
    Raussert, W., 2015. Sonic Cosmopolitics from Above and from Below: Entangled Music and Politics fromThe Jazz Ambassadors to Contemporary Grassroots Movements. In W. Raussert, Y. Campos García, & G. Martínez-Zalce, eds. Crossing Boundaries/Cruzando Fronteras en las Americas : Dynamics of Change in Culture, Politics, Media. Cruzando Fronteras. no.1 Guadalajara: Universidad de Guadalajara, pp. 256-283.
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  • [50]
    2014 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2948686
    Raussert, W., 2014. Mobilizing America/América: Toward Entangled Americas and a Blueprint for Inter- American ‘Area’ Studies. fiar forum for international research, 7(3), p 59-97.
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  • [49]
    2014 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2948685
    Raussert, W., 2014. Narrating African American Migrations: Mobile Literary Voices and Shifting Narrative Strategies. Verbum et Lingua , 2(3), p 8-21.
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  • [48]
    2014 | Herausgeber*in Sammelwerk | Veröffentlicht | PUB-ID: 2914052
    W. Raussert & C. B. Claiborne, eds., 2014. Transcultural Literacy and Mobility, Houston, Texas: Earthborne Press (apple e-book).
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  • [47]
    2014 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2914293
    Raussert, W., 2014. Theorizing Hemispheric American Studies. www.interamerica.de. fiar forum for inter-american research, (7.3. (December).
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  • [46]
    2014 | Sammelwerksbeitrag | PUB-ID: 2735216
    Raussert, W., 2014. Fronteras, heterotopía y comunidades translocales en la película Río helado, de Courtney Hunt. In J. C. Vargas, ed. Cine y frontera. Territorios ilimitados de la Mirada. Mexico: D.F. Bonilla Artigas, pp. 133-156.
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  • [45]
    2014 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2735199
    Raussert, W., 2014. Orientalism, Othering and Critique of the Nation: Nathaniel Hawthorne’ s The Scarlet Letter. In S. Thies & G. Pisarz-Ramírez, eds. Patrias y Matrias. Trier: WVT, pp. 162-176.
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  • [44]
    2014 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2914295
    Raussert, W., 2014. Fronteras, heterotopía y comunidades translocales en la película Río helado, de Courtney Hunt. In C. Vargas et al, ed. Cine y frontera. Territorios ilimitados de la Mirada. Mexico: D.F. Bonilla Artigas, pp. 133-156.
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  • [43]
    2013 | Sonderausgabe Zeitschrift | Veröffentlicht | PUB-ID: 2787554
    Y. Campos, W. Raussert, & H. Schäfer, eds., 2013. Religion in the Americas = Religión en las Americas. Forum for inter-American research, 6(1).
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  • [42]
    2013 | Monographie | Im Druck | PUB-ID: 2580386
    Raussert, W., In Press. Transcultural Mobility: A Celebration Through African American Cultural Production, Houston: Claiborne Press.
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  • [41]
    2013 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2735234
    Raussert, W., & Schäfer, H., 2013. Religion in the Americas. fiar forum for international research, 6.1.
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  • [40]
    2013 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2735233
    Raussert, W., 2013. Border, Heterotopia, and Translocal Communities: Courtney Hunt’s Frozen River. In Cine y Frontera, Film and Border. Guadalajara: UdeG, DF: Unam, pp. 45-61.
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  • [39]
    2012 | Herausgeber*in Sammelwerk | Veröffentlicht | PUB-ID: 2580337
    W. Raussert & G. Martinez-Zalce, eds., 2012. (Re)Discovering 'America'/(Re)Descubriendo 'America' - Road Movies and Other Travel Narratives in North America/ Road movie y otras narrativas de viaje en America del Norte, Inter-American Studies / Estudios Interamericanos, no.6, Trier / Tempe, AZ: Wissenschaftlicher Verlag Trier / Bilingual Press.
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  • [38]
    2012 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2735241
    Raussert, W., & Martínez-Zalce, G., 2012. From Thunder Bay to Way ‘Down Yonder’: The Road as Multilayered Concept and Traveling Sounds in Bruce McDonald’s Highway 61. In W. Raussert & G. Martínez-Zalce, eds. (Re)Discovering ‘America’: Road Movies and Other Travel Narratives in North America / (Re)Descubriendo ‘América’: Road movie y otras narrativas de viaje en América del Norte. Trier; Tempe, AZ: WVT; Bilingual Press, pp. 67-80.
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  • [37]
    2012 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2735304
    Raussert, W., 2012. Independence Movements – Movimientos de independencia. fiar forum for inter-american research, 5.3.
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  • [36]
    2012 | Sonderausgabe Zeitschrift | Veröffentlicht | PUB-ID: 2914634
    A. Schröder, Y. Campos, & W. Raussert, eds., 2012. Diaspora: Cultures in Transit. Special issue of Forum for Inter-American Research (FIAR)., 5:2, p http://www.interamerica.de/category/volume-5-2/.
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  • [35]
    2012 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2735237
    Raussert, W., & Martínez-Zalce, G., 2012. Re)discovering ‘America’: New Routes and Alternative Road Narratives in an Inter-American Perspective. In W. Raussert & G. Martínez- Zalce, eds. (Re)Discovering ‘America’: Road Movies and Other Travel Narratives in North America / (Re)Descubriendo ‘América’: Road movie y otras narrativas de viaje en América del Norte. Trier; Tempe, AZ: WVT; Bilingual Press, pp. 1-19.
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  • [34]
    2012 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2735299
    Raussert, W., 2012. Transitions and Continuities in Contemporary Chicano/a Culture. fiar forum for international research, 5.1.
    PUB
     
  • [33]
    2012 | Zeitschriftenaufsatz | PUB-ID: 2735302
    Raussert, W., 2012. Diaspora: Cultures in Transit. fiar forum for inter-american research, 5.2.
    PUB
     
  • [32]
    2011 | Herausgeber*in Sammelwerk | Veröffentlicht | PUB-ID: 2580332
    W. Raussert & J. Gurr, eds., 2011. Cityscapes in the Americas and Beyond: Representations of Urban Complexity in Literature and Film, Inter-American Studies / Estudios Interamericanos, Trier / Tempe, AZ: Wiisenschaftlicher Verlag Trier / Bilingual Press.
    PUB
     
  • [31]
    2011 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2735308
    Raussert, W., & Gurr, J., 2011. Introduction. In J. Gurr & W. Raussert, eds. Cityscapes in the Americas and Beyond: Representations of Urban Complexity in Literature and Film. Inter-American Studies / Estudios Interamericanos. no.4 Trier ; Tempe, AZ: WVT ; Bilingual Press, pp. 1-9.
    PUB
     
  • [30]
    2011 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2735305
    Raussert, W., 2011. Global Cities and Cosmopolitanism Revisited: Inter-American Mobility in Karen Tei Yamashita’s Tropic of Orange. In J. Gurr & W. Raussert, eds. Cityscapes in the Americas and Beyond: Representations of Urban Complexity in Literature and Film. Inter-American studies. no.4 Trier ; Tempe, AZ: WVT ; Bilingual Press, pp. 99-116.
    PUB
     
  • [29]
    2011 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2948701
    Raussert, W., 2011. Between Ethical and Aesthetic Cosmopolitanism: Performance Art and Cultural Critique . In P. O'Donovan & L. Rascaroli, eds. The Cause of Cosmopolitanism. Dispositions, Models, Transformation. Cultural identity studies. no.21 Oxford ; New York: Peter Lang, pp. 140-151.
    PUB
     
  • [28]
    2011 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2737218
    Raussert, W., 2011. Inter-American Border Discourses: Heterotopia and Translocal Communities in Courtney Hunt’s Film Frozen River. Norteamérica, revista académica del CISAN-UNAM, 6.2.2011, p 21-35.
    PUB
     
  • [27]
    2011 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2737217
    Raussert, W., 2011. Indigenous America / América Indigena. fiar forum for inter-american research, 4.2.
    PUB
     
  • [26]
    2011 | Herausgeber*in Sammelwerk | Veröffentlicht | PUB-ID: 2734302
    W. Raussert & M. Habell-Pallan, eds., 2011. Cornbread and Cuchifritos: Ethnic Identity Politics, Transnationalization, and Transculturation in American Urban Popular Music, Trier; Tempe, AZ: WVT: Trier; Tempe, AZ: Bilingual Press.
    PUB
     
  • [25]
    2011 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2736972
    Raussert, W., 2011. Introduction: Ethnic Identity Politics, Transnationalization and Transculturation in American Urban Popular Music: Inter-American Perspectives. In W. Raussert & M. Habell-Pallán, eds. Cornbread and Cuchifritos: Ethnic Identity Politics, Transnationalization, and Transculturation in American Popular Music. Inter-American Studies / Estudios Interamericanos Vol 2. Trier; Tempe, AZ: WVT; Bilingual Press, pp. 1-25.
    PUB
     
  • [24]
    2011 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2736957
    Raussert, W., & Christina, S., 2011. What Did I Do to Be so Global and Blue?’–Blues as Commodity: Tourism, Politics of Authenticity, and Blues Clubs in Chicago Today. In O. Kaltmeier, ed. Selling Ethnicity: Urban Cultural Politics in the Americas. Surrey: Ashgate, pp. 41-54.
    PUB
     
  • [23]
    2010 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2948696
    Raussert, W., 2010. Call me Ishmael: Melville as Archaeologoist of Body and Text. In W. Raussert, et al., eds. Remembering and Forgetting. Memory in Images and Texts. Bielefelder Schriften zu Linguistik und Literaturwissenschaft. no.25 Bielefeld: Aisthesis, pp. 137-147.
    PUB
     
  • [22]
    2010 | Herausgeber*in Sammelwerk | Veröffentlicht | PUB-ID: 2914061
    W. Raussert, et al., eds., 2010. Remembering and Forgetting: Memory in Images and Texts, Bielefelder Schriften zu Linguistik und Literaturwissenschaft, no.25, Bielefeld: Aisthesis Verlag.
    PUB
     
  • [21]
    2008 | Herausgeber*in Sammelwerk | Veröffentlicht | PUB-ID: 2734344
    W. Raussert & J. Miller Jones, eds., 2008. Traveling Sounds. Music, Migration, and Identity in the U.S. and Beyond, Transnational and Transatlantic American Studies, no.8, Berlin: LIT Verlag.
    PUB
     
  • [20]
    2008 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2948700
    Raussert, W., 2008. Hollers, blue notes, and brass sounds: Diverse musical and cultural influences on jazz . In J. Lowe, ed. Louisiana culture from the colonial era to Katrina. Southern literary studies. Baton Rouge: Louisiana State University Press, pp. 255-83.
    PUB
     
  • [19]
    2008 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2948699
    Raussert, W., 2008. "'Burning Down the House" : Houses as Sites of Identity Formation in Faulkner's Fiction. In R. Kunow & W. Raussert, eds. Cultural Memory and Multiple Identities. Transnational and transatlantic American studies. no.5 Münster: LIT, pp. 77-89.
    PUB
     
  • [18]
    2008 | Herausgeber*in Sammelwerk | Veröffentlicht | PUB-ID: 2914065
    W. Raussert & R. Kunow, eds., 2008. Cultural Memory and Multiple Identities, Transnational and Transatlantic American Studies, no.5, Berlin, New Brunswick: LIT Verlag.
    PUB
     
  • [17]
    2008 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2737220
    Raussert, W., 2008. Ethnic/ Postethnic? Fiction and Identity Construction in Contemporary Writers of South Asian Descent. In W. Raussert & R. Isensee, eds. Transcultural Visions in Images and Texts: Transatlantic American Studies. American Studies Monograph Series. no.175 Heidelberg: Universitätsverlag Winter, pp. 247-261.
    PUB
     
  • [16]
    2008 | Herausgeber*in Sammelwerk | Veröffentlicht | PUB-ID: 2734353
    W. Raussert & R. Kunow, eds., 2008. Cultural Memory and Multiple Identities, Berlin, New Brunswick: LIT Verlag.
    PUB
     
  • [15]
    2008 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2737224
    Raussert, W., & Isensee, R., 2008. Transcultural Visions in Images and Texts: Transatlantic American Studies. In W. Raussert & R. Isensee, eds. Transcultural Visions in Images and Texts: Transatlantic American Studies. Heidelberg: Universitätsverlag Winter, pp. 1-11.
    PUB
     
  • [14]
    2008 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2752392
    Raussert, W., 2008. onstructions of Hybrid Identities in African American Literature: The Examples of Gustavus Vassa and James Baldwin. In J. Raab & M. Butler, eds. Hybrid Americas: Contacts, Contrasts, and Confluences in New World Literatures and Cultures. Inter-American Perspectives. Münster; London; Tempe: LIT Verlag; Bilingual Press Tempe AZ, USA, pp. 62-80.
    PUB
     
  • [13]
    2008 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2752364
    Raussert, W., 2008. Introduction: Traveling Sounds: Music, Migration and Identity Formation. In W. Raussert & J. Miller Jones, eds. Traveling Sounds: Music, Migration and Identity in the U.S. and Beyond. TTAS. no.Vol 8. Münster; London: LIT Verlag, pp. 9-21.
    PUB
     
  • [12]
    2008 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2752490
    Raussert, W., & Kunow, R., 2008. Cultural Memory and Multiple Identities: An Interdisciplinary Approach to 20th Century Identity Politics. In R. Kunow & W. Raussert, eds. Cultural Memory and Multiple Identities. Berlin; New Brunswick: LIT Verlag, pp. 7-17.
    PUB
     
  • [11]
    2008 | Herausgeber*in Sammelwerk | Veröffentlicht | PUB-ID: 2914062
    W. Raussert & R. Isensee, eds., 2008. Transcultural Visions of Identities in Images and Text. Transatlantic American Studies, American Studies, no.175, Heidelberg: Universitätsverlag Winter.
    PUB
     
  • [10]
    2007 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2948727
    Raussert, W., 2007. Cosmopolitanism and Cultural Critique: Allan Kaprow, Happenings and the American Avant-Garde. In G. Hurm & A. M. Fallon, eds. Rebels without a Cause? Renegotiating the American 1950s. American studies . no.2 Oxford: Peter Lang.
    PUB
     
  • [9]
    2007 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2752498
    Raussert, W., & Hurm, G., 2007. Cosmopolitanism and Cultural Critique: A. Kaprows Happenings in 18 Parts. In G. Hurm, ed. Rebels Without a Cause? 1950s America. Trier: WVT, pp. 267-280.
    PUB
     
  • [8]
    2006 | Herausgeber*in Sammelwerk | Veröffentlicht | PUB-ID: 2914066
    W. Raussert, M. Banerjee, & C. Birkle, eds., 2006. Amerikastudien/American Studies. A Quarterly., Heidelberg: Universitätsverlag Winter.
    PUB
     
  • [7]
    2003 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2752537
    Raussert, W., 2003. Space and Concepts of Culture: From De Crèvecoeur to the Contemporary Asian American Discourse. Erfurt Electronic Studies in English, 2003: 9.
    PUB
     
  • [6]
    2003 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2752544
    Raussert, W., 2003. Reinterpreting the Body: Gender, Utopia and the Innovations of the Judson Dance Theater and the Living Theatre. In C. Schlote & P. Zenzinger, eds. New Beginnings in 20th Century Theatre and Drama. Trier: WVT, pp. 433-450.
    PUB
     
  • [5]
    2003 | Monographie | Veröffentlicht | PUB-ID: 2914069
    Raussert, W., 2003. Avantgarden in den USA. Zwischen Mainstream und kritischer Erneuerung 1940-1970., Nordamerikastudien, no.18, Frankfurt / New York: Campus Verlag.
    PUB
     
  • [4]
    2003 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2752515
    Raussert, W., 2003. Gender and the Performance of Local and Global Conflicts in Postmodern and Contemporary Drama: LeRoi Jones, José Rivera, David H. Hwang. In J. Achilles, I. Bergmann, & B. Däwes, eds. Contemporary Drama In English: Global Challenges and Regional Responses in Contemporary Drama in English. Trier: WVT, pp. 85-103.
    PUB
     
  • [3]
    2001 | Sammelwerksbeitrag | Veröffentlicht | PUB-ID: 2948730
    Raussert, W., 2001. John Cage and the Limits and Possibilities of Crossing Cultural Boundaries. In J. Heideking, J. Helbig, & A. Ortlepp, eds. The sixties revisited. Culture, society, politics. American studies. no.90 Heidelberg: Winter, pp. 167-87.
    PUB
     
  • [2]
    2000 | Monographie | Veröffentlicht | PUB-ID: 2914072
    Raussert, W., 2000. Negotiating Temporal Differences: Blues, Jazz and Narrativity in African American Culture, American Studies: A Monograph Series, no.87, Heidelberg: Universitätsverlag Winter.
    PUB
     
  • [1]
    1988 | Zeitschriftenaufsatz | Veröffentlicht | PUB-ID: 2948726
    Raussert, W., 1988. Robert Creeley's Hello: A Postmodern Long Poem. Publications of the Mississippi Philological Association, 1988, p 131-136.
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